Panel to Panel: Exploring Words & Pictures
Edited by John Rovnak
Featuring New Interviews With…
*MARK BODE: A 21st Century Renaissance Man by John Rovnak.
*GLENN DANZIG: Damn, It’s Danzig by John Rovnak.
*JIMMY GOWNLEY: Normal Guy to the Naked Eye by Rachael M Rollson.
*ALAN MOORE: The Magical Adventures of an Extraordinary Gentlemen by Jean-Emmanuel Deluxe.
*STEVE MURPHY: Comes Out of his Shell by John Rovnak.
*DAVE SIM: The General in His Labyrinth by Jon Mathewson.
*JIM WOODRING: A Touch of Madness by Daniel Barlow.
*BY JINGO: A Personal Meditation on the Comics of Jack Kirby by Rob Walton.
*MARVEL 14: The Incredible History of France’s Censorship of Marvel Comics by Jean–Emmanuel Deluxe.
*KEEP YOUR PANTS ON! The Rock Art of James Kochalka.
*BUDDY COPS in Full-Color by Mark Martin.
*BEAT PANELS: OR; IS THERE MONEY IN POETRY COMICS? by Stephen R. Bissette featuring the graphic poetry of Peter Money and Rick Veitch.
*ORGANIZING COMICS: How Comics Created a Community in Rural New England by Daniel Barlow.
*EUROPE’S KRIMINAL HISTORY: featuring MR. KRIME by Mort Todd with Jean-Emmanuel Deluxe.
*EVERYTHING OLD IS NEW AGAIN: Re-Imagined Interpretations of Forgotten Characters of the Public Domain.
*MY SKETCHY SUMMER, or 5 Days Hard Labor at the Center For Cartoon Studies by Philip Charles Crawford.
*CLOVER FIELDS ON FIRE: The Intellectual Architecture of Robert Crumb and the Tyranny of the Masses by Experience Kring.
*Organic Comix presents JIM SIMON’S SHIELDMASTER.
*DEFT MASTERY: The Genius of Early 1960′s Archie Comics by Philip Charles Crawford, featuring Teenage Wildlife: an interview with Craig Yoe by John Rovnak.
*MEET JOE PRIEST: A Personal Reflection on Where Faith and Comics Meet by Fr. Chris Kulig, O.Carm.
*An archive of past interviews, from paneltopanel.net, featuring DAVID MACK, LARRY MARDER, LARRY HAMA, JAIME HERNANDEZ, JAMES STURM and STAN SAKAI.
* and more….
Cover by MARK MARTIN
274 Pages, Full Color
(scheduled to begin shipping Aug/Sept 2011)
In the fall of 2010, I had the privilege of interviewing Mark Bodé. This was an extreme honor, and I couldn’t be happier with the results of our conversations. Here’s a sample…
John Rovnak: Whether it’s the Cartoon Concerts, mural events, tattooing, or just comic conventions, the Bodé’s seem to be “showmen.” This is a rarity in comics; our industry doesn’t have many outspoken talents; ones who can rattle the cage a bit, or ones who push many envelopes. The music industry has them, the book industry has them, and the film industry has them. Why not comics?
Mark Bodé: There are many degrees of being an entertainer. I figure whenever a comic artist draws in front of people at benefits or auctions it’s a showman thing. The flash, the style, the quickness. But really no one goes for a full-blown stage show or stand-up routine like my father and I have done. My dad hated being a hermit, day in and day out over a drawing board, never seeing the public’s reaction to the hard work being done. So after some thought he came up with pictography format which had the balloons separate from the panels so he could do a reading of the art without having people read ahead of you. A kind of ultra cheap animation if you will. I took it on as I saw it as another promotional tool that kept us in the public eye and I understood the voices and genetically I have the same voice as my father. All these showmen acts are promotional tools which adds up to making a living as an artist… When I do a mural I send out a press release and make sure it’s a media event, spray can murals can unfold before your eyes unlike brush painted murals which take lots of time… so its exciting to watch an artist or artists get down with spray cans. I’m unsure why there are not more performing comic artists out there, it comes down to its a solitaire business and you get used to being a hermit and just showing up at conventions when you want to come out of that shell.